Recently I demonstrated the above pastel painting for the Carnoustie Art Club. I set up a still life inside a box which had a hole cut out at the side. I had brought along a lamp so I could directly illuminate the set up through the opening. This created an almost theatrical and dramatic affect to the still life. I enjoyed the process and sharing how I was approaching this painting.
The Pittenweem Arts Festival 2019 starts on Saturday 3rd August and runs until Sunday 11th August. My web site has a page showing some of the paintings I will be exhibiting. See my Pittenweem Arts Festival 2019 page.
Before I get started on large paintings I like to do some warm up exercises. I find just like an athlete needs to do stretches and practice so does the artist. To start to do a large painting without preperation can be daunting. A warm-up for an artist could be a series of sketches or tonal studies. In addition colour studies offer a great opportunity to experiment with different colour choices. I find this time spent in resolving problems is very worthwhile and gives me the momentum to proceed with the larger work. I was tidying my studio this week and found these two studies that progressed to larger paintings.
“Waves At Sunset” small study 7cm wide
Final painting “Waves At Sunset” is very large, approx. 1m wide.
“Waves At Lendalfoot” Study Acrylic ink and pastel 15cm wide
“Waves At Lendalfoot” Larger final painting Acrylic and Pastel
Last week I set off to do some outdoor painting in Elie. The weather was very cold but the light was amazing and colours glorious. The sketch below was looking towards the harbour in Elie. The box of pastels in the photo are Unison landscape collection, a favourite of mine. I even brought home some sea grass unintentionally. The art pad has pastel neutral coloured paper ideal for outdoor studies.
This second sketch is looking straight out to sea. The water looked so inviting even on a crisp January day. As it was so cold it forced me to edit the scene before me so as I could capture the essence as quick as possible.
I was inspired to do a painting of two mute swans after watching them walking precarlously on a local iced over pond. The day after making my Christmas card I was driving into St Andrews and was delighted to see two mute swans flying alongside the car at the same speed as I was driving. They were so close I was captivated. I needed to remember I was driving and keep my eyes on the road.
Wishing you a Happy Christmas and all the best for 2019.
The Pittenweem Arts Festival 2018 starts on Saturday 4th August and runs until Sunday 12th August. My web site has a page showing some of the paintings I will be exhibiting. See my Pittenweem Arts Festival 2018 page.
It was quite stormy weather for Easter. I did manage to get outside in front of the studio to do some sketching of the waves coming into the shore. It was exhilarating to watch and great to be close to the waves. I had prepared a box of Unison Pastels which were from a new large 72 pastel landscape box. I needed to break them in half as they are much better to use this way. This gives me two smaller boxes, one for the studio and the other for working outside, with all of the 72 pastels in them. See above.
Thanks to everyone who made it along for the Open Studio event, especially those that had to dodge the waves!