It was quite stormy weather for Easter. I did manage to get outside in front of the studio to do some sketching of the waves coming into the shore. It was exhilarating to watch and great to be close to the waves. I had prepared a box of Unison Pastels which were from a new large 72 pastel landscape box. I needed to break them in half as they are much better to use this way. This gives me two smaller boxes, one for the studio and the other for working outside, with all of the 72 pastels in them. See above.
Thanks to everyone who made it along for the Open Studio event, especially those that had to dodge the waves!
For the Easter weekend (Friday March 30th to Monday April 2nd) some of the Pittenweem Artists and Galleries are opening their doors. Gina will be at her studio at 18 West Shore.
I was able to get out and about to do some sketching on the weekend. Weather was windy as often it is at Elie. I think it makes me work quicker about (15 mins) and adds to the atmosphere to the sketch. Over the weekend I managed to get quite a number of sketches done.
Happy Christmas 2017
This small painting was inspired by the winter light in the harbour at Pittenweem. The red boat has been in the harbour for a while and I think it makes for a great focal point.
Christmas wishes to you and your family.
The Pittenweem Arts Festival 2016 starts on Saturday 5th August and runs until Sunday 13th August. My web site has a page showing some of the paintings I will be exhibiting. See my Pittenweem Arts Festival 2017 page.
There is lots of work to do for the new studio but I was able to take some time out over lunch and make a quick watercolour sketch looking out of the window.
The weather at Pittenweem was beautiful. I took the opportunity to do an outdoor sketch then gouache painting. It was sheltered from the wind working in the corner at the cottage. The weather was also so mild that I didn’t need a coat, however everyone passing were all wrapped up. Great to be working outdoors and enjoying the lovely light.
For a number of years I have been doing monotone paintings. I mix black and white oil paint to a limited number of tones usually 4 or 5. I use these to paint my subjects. l love doing these paintings however when I crave more colour I can revert to my full colour palette. My website now has a gallery showing a selection of these paintings, which you can see from the following link http://ginawright.co.uk/monotone.html.
I was invited to exhibit at the Summer Collection 2016 at Eduardo Alessandro Studios. The exhibition runs from 2nd July to 20th August.
This painting is a demonstration which I did last week at Cupar Art Club. I arrived with a prepared underpainting in watercolour. I talked through why I had prepared a watercolour underpainting in complementary colours. I then proceeded to apply the local colour of the scene leaving some of the underpainting to show through. This had the effect of making the colours sing and can lead to a more realistic looking painting. Multiple colours working together can give a greater sense of reality. Degas was aware of these techniques and experimented with a variety of undertones and underpainting techniques to get the effect he was after. It was useful to have my home made colour wheel at hand as shown above.