Easter Open Studio 2018

It was quite stormy weather for Easter. I did manage to get outside in front of the studio to do some sketching of the waves coming into the shore. It was exhilarating to watch and great to be close to the waves. I had prepared a box of Unison Pastels which were from a new large 72 pastel landscape box. I needed to break them in half as they are much better to use this way. This gives me two smaller boxes, one for the studio and the other for working outside, with all of the 72 pastels in them. See above.

Thanks to everyone who made it along for the Open Studio event, especially those that had to dodge the waves!

Monotone Paintings

Study for High Tide, The Gyles

For a number of years I have been doing monotone paintings. I mix black and white oil paint to a limited number of tones usually 4 or 5. I use these to paint my subjects. l love doing these paintings however when I crave more colour I can revert to my full colour palette. My website now has a gallery showing a selection of these paintings, which you can see from the following link http://ginawright.co.uk/monotone.html.

Croft On Barra, Pastel SOLD

gina_wright_croft_on_barra_pastel

gina_wright_pastel_colour_wheel

This painting is a demonstration which I did last week at Cupar Art Club. I arrived with a prepared underpainting in watercolour. I talked through why I had prepared a watercolour underpainting in complementary colours. I then proceeded to apply the local colour of the scene leaving some of the underpainting to show through. This had the effect of making the colours sing and can lead to a more realistic looking painting. Multiple colours working together can give a greater sense of reality. Degas was aware of these techniques and experimented with a variety of undertones and underpainting techniques to get the effect he was after. It was useful to have my home made colour wheel at hand as shown above.