Monotone Paintings

Study for High Tide, The Gyles

For a number of years I have been doing monotone paintings. I mix black and white oil paint to a limited number of tones usually 4 or 5. I use these to paint my subjects. l love doing these paintings however when I crave more colour I can revert to my full colour palette. My website now has a gallery showing a selection of these paintings, which you can see from the following link http://ginawright.co.uk/monotone.html.

Croft On Barra, Pastel SOLD

gina_wright_croft_on_barra_pastel

gina_wright_pastel_colour_wheel

This painting is a demonstration which I did last week at Cupar Art Club. I arrived with a prepared underpainting in watercolour. I talked through why I had prepared a watercolour underpainting in complementary colours. I then proceeded to apply the local colour of the scene leaving some of the underpainting to show through. This had the effect of making the colours sing and can lead to a more realistic looking painting. Multiple colours working together can give a greater sense of reality. Degas was aware of these techniques and experimented with a variety of undertones and underpainting techniques to get the effect he was after. It was useful to have my home made colour wheel at hand as shown above.

The Wave, Oil Pastel SOLD

Working on a textured ground I did this seascape painting, using Sennelier 38ml large oil pastels. I bought them recently and I am experimenting with them. Normally I use the smaller less chunky version. However I really liked the larger version as you can push the oil pastel around more easily. They felt comfortable in my hand. I love the strength of colour you can achieve with these oil pastels.

Tertiary Colours

For this exercise I used pastels that were as close as possible to the 6 colour wheel tertiary colours. I arranged them as they would fall on the wheel. For the painting below I used these colours plus some black, light blue and cream. It was good working with these chosen colours.