For a number of years I have been doing monotone paintings. I mix black and white oil paint to a limited number of tones usually 4 or 5. I use these to paint my subjects. l love doing these paintings however when I crave more colour I can revert to my full colour palette. My website now has a gallery showing a selection of these paintings, which you can see from the following link http://ginawright.co.uk/monotone.html.
I was invited to exhibit at the Summer Collection 2016 at Eduardo Alessandro Studios. The exhibition runs from 2nd July to 20th August.
This painting is a demonstration which I did last week at Cupar Art Club. I arrived with a prepared underpainting in watercolour. I talked through why I had prepared a watercolour underpainting in complementary colours. I then proceeded to apply the local colour of the scene leaving some of the underpainting to show through. This had the effect of making the colours sing and can lead to a more realistic looking painting. Multiple colours working together can give a greater sense of reality. Degas was aware of these techniques and experimented with a variety of undertones and underpainting techniques to get the effect he was after. It was useful to have my home made colour wheel at hand as shown above.
This is a small painting of a favourite beach walk. It is waiting to get picked up from the framers at present.
I am just back from a holiday in Shetland visiting family. This is my first time visiting the Island. What a beautiful place teaming with wildlife. The sketch above was done in situ at the top of a sand dune (see photo below). I am eager to get down to producing some paintings from my outdoor studies.
When I visited Barra I found all the beaches had a different feeling. This one had a calming experience on me. I sat and sketched the scene undisturbed and soaked up the atmosphere. The sketch evokes the memory of the location really well. This painting was done with reference to my sketch.
I have just finished and delivered this commission. It is fun to paint on the Slate. Each slate is intrinsically different which gives a lot of originality to the finished work. I am in need of restocking my supply of slate for future paintings!
This is a study for a larger painting I intend to do. I have not decided what medium I will use yet. The grasses always surprise me how tall they are. I love the sand dunes on The West Sands St Andrews. They always inspire paintings.
Working on a textured ground I did this seascape painting, using Sennelier 38ml large oil pastels. I bought them recently and I am experimenting with them. Normally I use the smaller less chunky version. However I really liked the larger version as you can push the oil pastel around more easily. They felt comfortable in my hand. I love the strength of colour you can achieve with these oil pastels.
For this exercise I used pastels that were as close as possible to the 6 colour wheel tertiary colours. I arranged them as they would fall on the wheel. For the painting below I used these colours plus some black, light blue and cream. It was good working with these chosen colours.