Still Life with Lemon, Pastel

I set up this still life in the studio. I used a box on its side with a window cut out to allow the light to filter through on that side. This gave an interesting play of light on my subject. The paper I worked on was a pale yellow Sennelier pastel card. This has a nice rough texture to grab the pastel. The middle picture shows the still life in progress.

The Gyles, Pittenweem, Oil Sketch

I did these three tonal studies after a visit to Pittenweem. I referred to my sketch book to capture the feeling of the place. It was after a storm hence the large waves. I used black and white oil paint and two other tones mixed from the black and white. I have to decide which ones to work on for a larger painting. I can’t decide.

Toasting My Toes, Ink Sketch

Our central heating packed in on Saturday. This morning was very cold and frosty. While it was being fixed I took the opportunity of showing my appreciation for our woodburning stove by sketching it. What you don’t see in this drawing is that I have the kettle heating on top of the stove to make a cuppa. Our cat Xena is snoring in the other chair on the right. On my feet I am wearing my new cosy slippers.

The Wave, Study and Studio Painting, Pastel

The first image is my study of the Wave. I started the painting using a discarded piece of cardboard. I prepared it with a  layer of gesso, this enables the pastel to adhere to the surface. My idea was to be less precious about the painting. I enjoyed it so much that the painting started to work out. I then went in search of more archival quality support and progressed onto the much larger second painting.