
I am aware I have not posted for a while. I have been busy preparing for the Pittenweem Arts Festival. Here is another painting of Venice. The trip has given me so much inspiration.

I am aware I have not posted for a while. I have been busy preparing for the Pittenweem Arts Festival. Here is another painting of Venice. The trip has given me so much inspiration.

This is a small oil painting of a night time scene in Venice. We were really lucky with the weather which made it very enjoyable exploring all the lanes and canals.

I am just back from a fantastic holiday to Venice. What a beautiful city with so much to offer. I did quite a lot of plein air sketches to try to capture the atmosphere of the place. These will help when it comes to do some studio paintings. The weather was sunny and warm which enabled me to get around and about. My bag with my art materials was a little on the heavy side. However it was better to have them with me as inspiration came in the most unlikely places.

I have not fully cropped this image to show what colour of pastel paper I used. I often use the edges for testing colours as I work on the painting. The paper I used was Sennelier La Carte Pastel paper. It has quite a rough sandpaper texture which grips the pastel really well.

I received a delivery of new art materials and just had to use them straight away! The result was this painting. I used my new large brush and some of my new colours of Daler Rowney acrylic inks. I was lost in the activity and swept away by the joy of the moment. Hopefully the energy comes through in the painting.

These are two studies of a new figurative painting I am working on. I normally do studies in a different media from what the final painting will be done in. I find this helps to keep the painting fresh and more enjoyable for me.

This was the last day of the Christmas holiday and I sketched Andrew reading a book. I like to challenge myself to use ink, which doesn’t allow for many adjustments. Having a sketch book with me when I am out and about means that I can do quick studies when I see an interesting subject.

Once my underpainting had dried I started laying in some oil pastel colours. They are nice to use for this subject. My underpainting I felt had captured the mood of the subject. I was now just reinforcing this with colour.

This is the first stage for a study painting. I used a warm brown acrylic ink and a cool light grey for a contrast. This was done on a pastel support that can take watermedia.

What appealed about this image was the bond between the man and the dog. Again another painting inspired from a visit to Dunkeld.