East Neuk Open Studios 2017

I was so busy leading up to the ENOS event that I did not get a chance to post about the event beforehand. Thank-you to those that came to visit me at my new studio (Wash House Studio).

I enjoyed meeting with many people during the open studio event. I was even able to do some sketching during the day. A lot of people commented favourably on the sketch book and liked seeing what I had been painting. They could see my still life on the window ledge and were curious as to how I approached my sketch. The pastel book below is full of various coloured pastel papers, these give me a wonderful colour choice for the background. The green I decided to work on particularly suited the sunflowers.

During the week I did another study using watercolours and a long handled brush which was great fun to paint. My flowers were still fresh and inspiring.

It is full on right now for the Pittenweem Arts Festival 2017.

Turquoise Coffee Pot, Pastel

On Monday evening I was invited to do a demonstration at Alloa Art Club. This was the painting I did by firstly blocking in colours in pastels without drawing in the subject matter. Once I had an underpainting I used charcoal to draw this still life. I added more pastel once I had drawn in the main objects in the still life. The club members spent the second half of the evening engaged in doing their own still life paintings.

Outdoor Studio, Oil

What wonderful weather we are having just now. I took the opportunity to work outdoors on some colour block studies. This is good for improving observational skills when it comes to colours. I did one study in overcast light and one in sunshine. The garden is coming alive with fresh buds on the plants. Birds were chirping away as I worked, who needs music when you are in the great outdoors! (or even your back garden!)

Still Life with Lemon, Pastel

I set up this still life in the studio. I used a box on its side with a window cut out to allow the light to filter through on that side. This gave an interesting play of light on my subject. The paper I worked on was a pale yellow Sennelier pastel card. This has a nice rough texture to grab the pastel. The middle picture shows the still life in progress.