Purple Tulips

The weather lately has been warm and sunny which attracted me to painting outside. The tulips in the garden were at their best. I knew they wouldn’t stay this way for long so this forced me to get on and do a painting in situ. My study was in pastel and I then went on to paint in oils for the final painting.

Monotone Paintings

Study for High Tide, The Gyles

For a number of years I have been doing monotone paintings. I mix black and white oil paint to a limited number of tones usually 4 or 5. I use these to paint my subjects. l love doing these paintings however when I crave more colour I can revert to my full colour palette. My website now has a gallery showing a selection of these paintings, which you can see from the following link http://ginawright.co.uk/monotone.html.

Chicken After Richard Schmid, Oil

gina_wright_chicken_after_richard_schmid_oil

I am a great admirer of the american artist Richard Schmid. He has a way of making his work look so fresh and not laboured. I did this oil sketch of one of his paintings called “Chicken”. The reason I spent time doing this is to learn more about the way he painted it and the colours used to portray the subject. He really makes use  of his colours to unify the work and pull everything together. I would love to go to one of his workshop’s and learn more.

Untitled, Study After Charles Hawthorne, Oil

gina_wright_untitled_after_charles_hawthorne_oil

I loved this quote by American artist Charles Hawthorne –  “A sketch has a charm because of its truth-not because it is unfinished”

I did this study above of Charles Hawthorne painting “Untitled” to learn more about how he painted this study. I always try to start my day with a study as a warm up exercise. This gets me motivated for the next painting!

Study Morning Light, Forgan, Oil

gina_wright_morning_sunlight_forgan

This morning I did a small study with dabs of oil using my palette knife. I was doing my morning exercises and enjoying the view. However I abandoned the stretches to reach for my paints in my studio. I loved the beautiful colours in the early morning light. The light effect was fleeting so to get it done quickly was essential.

 

The Wave, Oil Pastel SOLD

Working on a textured ground I did this seascape painting, using Sennelier 38ml large oil pastels. I bought them recently and I am experimenting with them. Normally I use the smaller less chunky version. However I really liked the larger version as you can push the oil pastel around more easily. They felt comfortable in my hand. I love the strength of colour you can achieve with these oil pastels.